The publications are given in the order: latest first. Some synopses and errata are indicated.

Some of the publications may be read on-line by clicking on the year. More are being processed for this purpose.

Articles:

• 2008 "Pachmann at Age Twelve". So far published only on this web site.
• 2007b (link OK 14-Aug-2009) "How World Views may be Revealed by Armchair Conducting: Composer-Specific Computer Animations" JMM: The Journal of Music and Meaning, 5 (Summer 2007). This is an online journal.
• 2007a "Lateral Thinking and Literal Thinking in Schubert's Morgengruss". So far published only on this web site.
• 2005b "The composer with whom Schubert has the closest affinity" (Essay competition). The Schubertian, 49 (October 2005): 8-11.
• 2005a "Schubert's Low Notes". The Schubertian, 47 (April 2005): 13.
• 2003b "'Armchair conducting' animations for Mozart and Schubert". Kopiez, Reinhard, Andreas C. Lehmann, Irving Wolther and Christian Wolf, editors: Proceedings of the 5th Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM), Hanover University of Music and Drama, September 8-13, 2003 (pp.111-115). Published on a CD which may be ordered from Reinhard Kopiez (kopiez@hmt-hannover.de).
• 2003a "Two Mozart Fingerprints Related to the Becking Conducting Curve". So far published only on this web site.
• 2002 "A Composer-specific Conducting Simulation". Australian Association for Research in Music Education. Proceedings of the XXIVth Annual Conference, Adelaide 2002. Melbourne: AARME, 2002 (pp.127-137).
• 2001e "Vladimir de Pachmann, Pianist (1848-1933): a Discography / Rollography". So far published only on this web site.
• 2001d "Maryla Jonas, Pianist (1911-1959): a Discography". So far published only on this web site.
• 2001c "A Musical Microscope Applied to the Piano Playing of Vladimir de Pachmann". So far published only on this web site.
• 2001b (link OK 14-Aug-2009) "Vladimir de Pachmann". Article in: Stanley Sadie & John Tyrrell, eds, The Revised New Grove Dictionary of Music and Musicians. Hampshire: Macmillan, 2001. (Vol.18, p.857.)
• 2001a "Schubert's implied simile". The Schubertian, 31 (January 2001): 2-3.
• 2000 "Matching Schubert's Scores to his Conducting Beat". Paper presented by video from Australia on 1 July 2000 at the Leeds International Schubert Conference, 29 June - 2 July 2000.
• 1999b: "The Deceptive Simplicity of Mozart's Sonata K. 283". Clavier 38/10 (December 1999): 25-28.
• 1999a "The Statistics of Schubert's Keys". The Schubertian, 26 (September 1999): 2-3.
• 1998d "A Schubert Fingerprint related to the theory of Metre, Tempo and the Becking Curve". Systematische Musikwissenschaft (Systematic Musicology), 6 (1998): 363-413 (published in 2000).
• 1998c "Melodic Pattern-Detection Using MuSearch in Schubert's Die schöne Müllerin". Chapter 8 (pp.159-164) in Melodic Similarity: Concepts, Procedures, and Applications. Computing in Musicology 11, edited by Walter B. Hewlett and Eleanor Selfridge-Field. Cambridge, Massachusetts: MIT Press, 1998.
• 1998b "Discovering Franz Schubert". The Schubertian 22 (September 1998): 8-9.
• 1998a "A song without words and a song with words". Key Vive 86 (January 1998): 8. [Mendelssohn Op. 92, Schubert D957/3.]
• 1997d "A Bibliography of Statistical Applications in Musicology". Musicology Australia 20 (1997): 94-106.
• 1997c "Schubert's Schoolboy Humour". The Schubertian 19 (December 1997): 10-11. [Schubert D15, "Hickory, dickory, dock".]
• 1997b "Computers and Music", "Hmelnitsky". Articles in The Oxford Companion to Australian Music, Oxford University Press, Melbourne (1997): 144-5, 275-6.
• 1997a "Accompanying Schubert's 'Der Lindenbaum'". Piano Journal 18, No. 52 (1997): 15-21.
• 1996 "How Musical Rhythm reveals Human Attitudes: Gustav Becking's Theory". International Review of the Aesthetics and Sociology of Music 27/2 (1996): 101-122. [Errata: p.107 line -4: Schütz -> Schulz; p.121 line -3: Weldbild -> Weltbild.]
• 1996 "Schubert's G-flat Impromptu Interpretation". Clavier 35/4 April 1996): 16-19,34. [Errata July 1996 p.46.]
• 1993d "The pulse in German folksong: a statistical investigation". Musikometrika 5 (1993): 69-89. [Proof corrections were not implemented in the printed paper—a corrected copy is available from the author.]
• 1993c "The Derivation of Chopin's Fourth Ballade from Bach and Beethoven". The Music Review 54/2 (1993): 95-111 (published May 1996). [Chopin Op. 52, Bach WTC I/22 etc., Beethoven Op. 57/3; Chopin Op. 28/24, Beethoven Op. 57/I.]
  Also published in Spanish translation by Juan Carlos Lores as "La Derivación de la Cuarta Balada de Chopin a partir de Bach y de Beethoven", Quodlibet 29 (2004): 122-144.
• 1993b "On the Accuracy of Musical Data, with Examples from Gregorian Chant and German Folksong". Computers and the Humanities 27 (1993): 111-120.
• 1993a "Comment on 'Patterns of expressive timing in performances of a Beethoven minuet by nineteen famous pianists' [J. Acoust. Soc. Am. 88, 622-641 (1990)]". Journal of the Acoustical Society of America 94 (1993): 3001-3003 (refereed Letter to the Editor, with Reply pp.3004-3005).
• 1992b "On the spectral analysis of melody". Interface: the Journal of New Music Research 21 (1992): 135-148.
• 1992a "De Pachmann's Piano Fingerings". Clavier 31/3 (March 1992): 14-16. [Chopin Op. 57.]
• 1991 (link OK 14-Aug-2009) "How the young Schubert borrowed from Beethoven". The Musical Times (July 1991): 330-331. [Schubert D48; Beethoven Op. 13/I, Op. 57/III, Op. 3-2/I.]
• 1990 "The Language of Music in Schubert's Corpse-Fantasy". The Music Review 51/4 (1990): 290-295 (published late 1992). [Schubert D7, Cooke (1959).]
• 1987 (with I. Hmelnitsky) "Weight-bearing Manipulation: A Neglected Area of Medical Science Relevant to Piano Playing and Overuse Syndrome." Medical Hypotheses 23 (1987): 209-17.
• 1982 (with M.Clynes) "The Living Quality of Music - Neurobiologic Patterns of Communicating Feeling", Chapter 4 (pp. 47-82) of Music Mind and Brain: The Neuropsychology of Music, ed M.Clynes, Plenum Press, New York, 1982.
• 1979b "Comment on a Paper by Gabriel on Cooke's Theory". Psychology of Music 7 (1979): 32-33.
• 1979a "Keyboard Design and Psychophysics". Psychology of Music 7 (1979): 36-41.
• 1965b (http://www.nla.gov.au/copiesdirect/ select "Article" and enter the title) (link OK 25-Sep-2009) "A Spectral Study of "Overadjustment" for Seasonality". American Statistical Association, Proceedings of the Business and Economic Statistics Section (1965); also published as U.S.Census Bureau Technical Paper and as Stanford University Technical Report No 1 (1965).
• 1965a "Fourier Methods for Evolving Seasonal Patterns". Journal of the American Statistical Association 60 (1965): 492-502.

Reviews:

Book Reviews:

• 2003 "Schubert the Progressive - a few details". The Schubertian, July 2003: 23.
• 1995 "The Pianist's Talent" by Howard Taylor. Key Vive, May 1995: 14-15.
• 1994 "Aspects of Cortot" by Thomas Manshardt. Key Vive, Sep 1994: 10-12.

Video Reviews in Australian Music Teacher:

• 1998b "Artur Rubinstein: The Last Recital for Israel". Vol 6 No. 4 1998: 223.
• 1998a "The Anatomy of a Piano". Vol 6 No. 3 1998: 166-167.
• 1997c "The Art of Singing". Vol 5 No. 6 1997: 391.
• 1997b "Vladimir Horowitz: A Reminiscence". Vol 5 No. 4 1997: 248.
• 1997a "The Glenn Gould Collection: Mostly Strauss". Vol 5 No. 4 1997: 248-249.
• 1996c "Heifetz, Piatigorsky". Vol 5 No. 2 1996: 111-112.
• 1996b "Russian Archives: Oistrakh and Richter". Vol 5 No 1 1996: 44.
• 1996a "Claudio Arrau: The 80th Birthday Recital". Vol 4 No 6 1996: 427.
• 1995d "In Celebration of the Piano". Vol 4 No 5 1995: 362.
• 1995c "Maria Callas: Paris Debut, 1958". Vol 4 No 4 1995: 290.
• 1995b "The Art of Conducting". Vol 4 No 3 1995: 216.
• 1995a "The Golden Age of the Piano". Vol 4 No 2 1995: 133-134.

Electronic text:

• 1994 (link OK 14-Aug-2009) "Franz Schubert's Letters and Other Writings", translated by Venetia Savile, prepared and released on the Oxford Text Archive.

Computer program:

• 1990 ESSCORE, incorporated into the University of Essen's system MAPPET: Musik, Analyse, Play-in and Play-back für Esac Transkriptionen. (Translates ESAC music data files into SCORE music data files.)

Dissertations:

• 1999 (link OK 14-Aug-2009) "Schubert's Early Progress: On the Internal Evidence of his Compositions up to Gretchen am Spinnrade", Ph.D., UNSW (1999).
• 1990 "Schubert's earliest works: an analytical study", M.Litt., UNE (1990).
• 1988 "On the early pianoforte fantasies of Schubert—a study of the development of his compositional resources", B.Mus., NSW Conservatorium of Music (1988).
• 1966 "The Estimation of Coherence", Ph.D., Stanford University (1966).
• 1964 "The Seasonal Adjustment of Economic Data by Spectral Methods", M.Ec., ANU (1964).
• 1960 "Regression Analysis in Sample Surveys", B.Ec. honours, Sydney University (1960).

Miscellaneous Publications:

• 2007 (link OK 14-Aug-2009) (first publication — later republished elsewhere) "A Quick Introduction to Chess Problems and Endgame Studies", republished in Australian Chess, Vol. 5 No. 6 (November 2007): 38-43.
• 2001 "The Bradman Legacy". The Australian Mathematical Society Gazette, Vol. 28 No. 2, June 2001, 66. (Correspondence with Sir Donald Bradman.)
• 1996, 1998 Annotated Membership List. Musicological Society of Australia, July 1996; September 1998. (Booklets.)

Musical Compositions:

• 2008 (link OK 14-Aug-2009) "Poems on Music", poems by Kenneth Slessor, for voice and piano, composed Sydney, 1991a. Stiles Music Publications (S68, 2008).
• 2003 (link OK 14-Aug-2009) "Seven Songs from a Journey", poems by Judith Wright, for voice and piano, composed Sydney, 1991b. Stiles Music Publications (S59, 2003).
• 1970's Shakespearean Songs, for voice and piano, Toronto (unpublished).
• 1972 Variations and Fugue on an Original Theme, for woodwind quintet, Toronto (unpublished).

Letters to the Editor:

• 1998 "Whisk it or Risk It". Clavier, October 1998, p.2.
• 1997 "Hofmann or Godowsky?". Clavier, February 1997, p.2 (with response).
• 1996c "Four questions". The Schubertian, November 1996, p.10.
• 1996b "Horowitz's Playing". Clavier, November 1996, pp.4,44. (Response Vol 36/5 May/June 1997 p.2.)
• 1996a "Richter Friends". Clavier, July/August 1996, p.40. (Response Vol 35/10 December 1996 p.38.)
• 1995b "President's Remarks". Printscreen, October 1995, pp.2,20 (Magazine of the Sydney PC Users Group).
• 1995a "A Time-oriented Taxonomy of Computer Music", Computer Music Journal, 19/1, Spring 1995, p.5.
• 1994b "Freezing out our visitors". Uniken, 29th July 1994, p.12.
• 1994a "Schumann's maxims". Key Vive, No.74, January 1994, p.3.
• 1993b "Competitive Improvisation". Key Vive, No.72, May 1993, p.12.
• 1993a "On Repp's analysis of pianists' timings". Journal of the Acoustical Society of America (1993 -- see Publications).
• 1992 "Barere article". Key Vive, No.69, May 1992, p.2.
• 1991f "Pedaling Puzzle". Clavier, September 1991, p.4.
• 1991e "The Importance of Hyphens". Uniken, 2nd August 1991, p.12.
• 1981d "Bring Back Improvisation". Sydney Morning Herald, 30th July 1981.
• 1981c "Fuming at the quayside". Sydney Morning Herald, 13th July 1981.
• 1991b "The Ultimate Test". Sydney Morning Herald, 5th April 1991, p.10.
• 1991a "Tone Controversy". Clavier, March 1991, p.4.
• 1980b "Late-night television 'disturbing'". Toronto Star, Canada, 13th May 1980, p.A9.
• 1980a "Hark Hark the Lark". Sunday Star, Toronto, Canada, 2nd March 1980, p.B4.
• 1972 "Longevity at the piano keyboard". Toronto Star, Canada, 24th January, 1972, p.?.

Published Solutions to Mathematical Problems:

Mathematics Magazine, Mathematical Association of America:

• 1971 Vol 44/3 May 1971 p.168 ("Prime Decomposition")
• 1970 Vol 43/4 Sept 1970 pp.229-230 ("Parallelepiped Volume")
• 1969 Vol 42/4 Sept 1969 pp.216-218 ("Twelve-Tone Scale?")