by F. C. Schang

From a sketch by Joyce in Cleveland Times.
Par 1
p. 36
This eccentric and gnome-like creature claimed to own
the coat of Chopin, an original garment of velvet and braid,
the wearing of which enhanced his playing of the works of the
great composer. With or without the coat, de Pachmann was
recognized as an outstanding exponent of Chopin, and was
dubbed by the critic Huneker a "Chopinzee."
Par 2
Pachmann was born in Odessa where his father was a
professor at the University and an amateur violinist of
standing. He was his son's first tutor, observing that the boy
showed prodigy talent as a pianist. He sent him to Vienna at
age 18 for study at the Conservatory where he remained two
p. 37
years. After winning a gold medal he returned to Russia in
1869 to give a series of recitals. These pleased the public, but
not the player. He retired for eight years of ceaseless practice,
during which time he developed the pianistic qualities which
were to make him outstanding: a perfectly even scale and an
ethereal pianissimo.
Par 3
"Hot pearls on black velvet" (Huneker again!) was an
attempt to describe the extraordinary hearing experience
available to Pachmann's auditors. He specialized in the
works of Chopin where his style was notably effective in the
Nocturnes, Etudes, Preludes and Mazurkas.
Par 4
In 1884 Pachmann married a former pupil, Maggie
Oakey , a fine
pianist in her own right. She accompanied him
to America on his first tour there (1891) on which occasion he
used the Chickering piano and was not as touchy about the
sign hung on the piano as von Bülow had been some years
before. Pachmann's marriage lasted eleven years during
which time his wife edited a book of Chopin's etudes with
Pachmann's fingering.
Par 5
Much has been said of this artist's eccentricity, and he
has been criticized for talking aloud while playing. This happened
occasionally when he couldn't help praising himself for
a specially beautiful passage. But most of his unusual
behavior took place before a concert started. He devised an
p. 38
amusing pantomime which involved a stagehand or tuner as
foil, in which he complained that the piano was not level, and
the matter was finally remedied by placing a single sheet of
paper under one of the legs. More often than not these antics
put the audience in good humor.

Pachmann's tour in 1891 shows him bearded and playing the
Chickering Piano. In those days piano houses were sometimes
not satisfied with the usual underline on the program. They
caused a sign to be hung on the side of the piano so that the
audience would be certain to know what instrument the
practitioner was demonstrating.
Par 6
In later life, when making his farewell tour of the United
States, this funny little man had lost most of his teeth and he
refused dentures. He was forced therefore to subsist on
caviar, pâté de foie and champagne, no great trial for him as
he preferred this diet anyway.

Photo taken in 1923 on occasion of Pachmann's farewell
American tour
shows him with F. C. Coppicus , his American
impresario and F. Palottelli -Corinaldesi, his friend and
secretary.