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p.88 But it was on this visit [by Louise and Jeanne Douste to Paris in 1882] that they made their first acquaintance with Pachmann.
From 28th March, when Louise wrote in her diary, "We met Pachmann. He gives a concert to-night", many are the days on which his name is mentioned. Sometimes it is the brief note of a visit, though more often the note is followed by a remark on the pieces he had played.
At the Doustes' house he would go through a whole programme, often occupying the piano for two hours by the clock; and Louise writes enthusiastically, "He plays admirably. His style is correct and pure; beautifully sonorous. I am enchanted."
p.89 Before April was over the pianist had become an habitué of the little drawing-room at 10, rue Copernic. By degrees the diary reads thus:
"Pachmann came to lunch, and then afterwards played Polonaises, Ballades and Valses of Chopin; Polacca of Weber; Fugue of Bach, etc.  . . . That is because the artist thoroughly enjoys good cooking. And for the matter of that he has also discovered in London his own pet restaurant 'where one dines well,' in a small private hotel in Golden Square, kept by Mrs. Peters."
Now Madame Douste's cuisine had a savoury odour, and Pachmann was always so natural in all that he did, so epressive in all his movements that it was quite in the accepted order of things for so warm an appreciator of good cooking, as soon as he had greeted Mme. Douste, to find his way to the kitchen, lift up the lids of the sausepans one by one, inhale the aroma of their contents, and then, smiling gently, go to the piano, and frequently surpass himself, as witness the diary: "In a Sonata of Chopin and a Nocturne of Liszt." One day it was the children's turn to go to his house, where he wished them to hear his pupil, Maggie Okey, whom he afterwards married, and who by her second marriage became Mme. Labori, the wife of the counsel of Dreyfus.
Between times Louise, with her orderly habits, entered in her book, "I lent my three volumes of Chopin to Pachmann." Then between two more social engagements there is this surprise which will p.90 certainly be shared by many of his admirers who have followed this artist in his long career:
"Pachmann lunched with us and spent the afternoon at the piano. Having found Jeanne's violin he surprised us greatly by playing it; and really he plays that as well as he does the piano!"

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p.179 [There were, amongst the old acquaintances made again in 1889] Pachmann, who they found had become "very affected" at his concert;  . . .

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p.269 On the other hand, they [the Doustes] always sent special invitations [to their weekly open house] to those who, from their position in the world of music or from the interest which they showed towards artists, could be of help to the débutants, whom they never failed to introduce afterwards to such influential people.
At one of these "Mondays" [c1909], towards the end of the afternoon, one of the pupils brought Pachmann.
The celebrated pianist found himself quickly surrounded by a circle of young girls who, making a great fuss of him, edged him to the piano. Without needing further persuasion and smiling at the fresh young faces all round him, he talked with much gesticulation, explained and played Chopin's music ungrudgingly regardless of the passing hours, to the great joy of the young audience clustered about him.

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