For generations the appearance of new stars on the
musical firmament has been announced—then they came
with a temporary glitter—soon to fade and to be forgotten.
De Pachmann has outlived them all. With each return
he won additional resplendence and to-day he is
acknowledged by the truly artistic public to be the greatest exponent
of the piano of the twentieth century. As Arthur Symons,
the eminent British critic, says:
"Pachmann is the Verlaine or Whistler of the
Pianoforte . . . . . . the greatest player
of the piano now living."
Pachmann, as before, uses the BALDWIN PIANO
for the expression of his magic art, the instrument of which
he himself says:
" . . . . It cries when I feel like crying, it sings
joyfully when I feel like singing. It responds—like
a human being—to every mood. I
love the Baldwin Piano."
Every lover of the highest type of piano music will, of
course, go to hear Pachmann—to revel in the beauty of his
music and to marvel at it.
It is the beautiful tone quality, the voice which is music
itself, and the wonderfully responsive action of the Baldwin
Piano, by which Pachmann's miraculous hands reveal to
you the thrill, the terror and the ecstasy of a beauty which
you had never dreamed was hidden in sounds.
The Baldwin Company
8 East 34th Street, New York