Par 1
It will be good news to the whole musical world of
America, and to the pianistic portion of it in particular, to
hear that Vladimir De Pachmann has been engaged by the
Quinlan Musical Bureau
for a farewell tour in America,
beginning early next fall
and ending the following May.
Par 2
No keyboard artist in the world is more popular in this
country than De Pachmann, and his unique personality,
his unusually refined art, and especial devotion to the
compositions of Chopin, have insured him everywhere
a place apart in the affections of lovers of the
highest form of piano demonstration.
Par 3
It is more than three years
since De Pachmann
was last in America. At that time his success
surpassed any of the triumphs he achieved on his
previous visits here. His programs were more
varied and embraced a greater repertory than he
ever had exhibited before, and those who have
heard him during the last few months abroad say
that he has added even to that vast list of works
performed by him. The forthcoming visit is to
be a genuine farewell tour, for De Pachmann has
amassed a large fortune through his travels
during the last twenty years or so, and feels that he
now desires to give himself up to rest and
musical recreation purely for his own pleasure.
Those music lovers who have not heard this
marvelous artist should regard his projected concerts
here as a great boon and doubtless his recitals
will be crowded and warm enthusiasm will
prevail from coast to coast, wherever he allows his
wonderful fingers to sound his idea of the piano
classics. While it seems good to have De
Pachmann here, at the same time it will be a
misfortune later for the music lovers of our land and
of other lands to lose so distinguished a public
performer, for he is a sterling musician, a
technical giant, and a complete master of all the
various means of expression on the piano. A player
of his caliber comes but once in many decades.
It will be De Pachmann's swan song, but it will
be a swan song very much worth while hearing.
Par 4
Although it is likely that De Pachmann will
play more than one hundred recitals, many more
engagements above that number have been offered
him, and the Quinlan Bureau is meeting great
difficulty in placing him at all those points where
it will be most convenient for music lovers to
hear him without traveling more than several
hundred miles. In former years, when De
Pachmann played in some of the Western cities, piano
teachers, students and music lovers were
accustomed to travel 500 and 600 miles in order to listen to his
exposition of the great piano works.
Par 5
De Pachmann's velvety touch, his phenomenal finger
agility, his infinite resource in the way of nuance and
interpretative variety, are all as manifest in his playing as they
ever were before, and combined with all those qualities are
a certain quiet dignity and deep musical earnestness which
used to be marred in previous years by a strain of
capriciousness and whimsicality, entertaining to some of his
listeners, but objected to by many pedantic musicians. Of
those typical former De Pachmann traits there is no
vestige in his art as it flourishes today. He will be found to
give complete satisfaction in his forthcoming American
tour, and his Chopin interpretations, especially, will long
remain as models after the last note of his readings has
sounded in America in the spring of 1912.
Par 6
De Pachmann has an immense and faithful following in
this country and succeeds in interesting a large portion of
the public which rarely goes to the recitals of other
pianists. The Quinlan Bureau will have its hands full in
accommodating the throngs of De Pachmann enthusiasts all
over the land. However the tour is being arranged in
the thorough and businesslike way that characterizes every
musical undertaking of the Quinlan organization. The
De Pachmann tour will be another triumph for that
managerial firm, and will wind up the career of the great artist
in a manner fully worthy of his previous reputation and
his present achievements.