. . .
Observe, too, that the musical fore-season
of 1899-1900 is already over. I have not
spoken above of those artists who have
made it active since October. Mr. Vladimir
de Pachmann, that
interpreter-in-chief of Chopin—and
polished perverter of Beethoven
and Schumann—has been
scintillating to crowded audiences in this
city, and in a dozen other places, and found
to be as brilliant a virtuoso as ever, and
perhaps a shade less simian in his personality.
. . .